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A student of Philippe Garel and Robert Savary, he first chose volume for his first works before devoting himself to painting. From 1994 to 2008, his canvases are covered with a thick paste that he engraves with a pencil delimiting the refined contours of successive planes in the manner of a theatre set. Themes and objects from everyday life are scripted, sometimes elevated to the rank of "modern icons" with the addition of gold leaf.
From 2009 onwards, he returned to realistic drawing, maintaining the matt backgrounds that transform the canvas into a bas-relief. The theme of Rouen Cathedral is a perfect match for the technique used and an ideal support for some iconoclastic digressions.
The leitmotif of his creations, the small skeletons, baroque vanities or macabre dances inspired by the Aître Saint-Maclou, already present in the form of narrative friezes in the earlier paintings, take on this new subject. From now on the "skeletors" proliferate in a playful chaos. Links of a genetic and patrimonial code, they compose strange entities that François Duboc has not finished painting.



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BALAI

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L'ASCENSION

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LES POULETS PHILOSOPHES

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0h20

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RIDEAU ROUGE

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BELLE SOIRÉE

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BELLE SOIRÉE 2

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CHAT POLIO

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JOJO KILLER

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LA RÉINCARNATION DES ÂMES EN EAU FROIDE

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LE GRAND CIRQUE

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L'ÉLU

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CUISINE MODERNE

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L'ABRI

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L'ANNONCIATION

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LE BUTIN

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L'ENTERREMENT

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CHASSE À L'OURS

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LE RENCONTRE

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L'ENTREPÔT

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LE PASSAGE

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ARBRE BLEU

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BEAU DIMANCHE

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SUR LA ROUTE DE COLOMBEY

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COCORICO

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MAISON ROUGE

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IN GOD WE TRUST

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ÉNIÈME GALAXIE

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LA PARABOLE DE LA MULE ET AUTRES ÂNERIES

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SCARABÉE

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Illustration of themes that participate in the construction of our reality and forge a common symbolic language. Between derision of the sacred and sacralisation of the derisory.
Formal use of the stained glass window and the poster as a graphic slogan.

MYTHOGRAPHIE

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