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After attending the École Nationale Supérieure des Arts Décoratifs in Paris, I spent a long time practicing sculpture and drawing.
As part of my graphic research, I gradually came to painting through the use of pastels.
For me, painting is essentially a commentary on painting, its principle being to reinvent itself through new perceptions.
I see the painting, in the same way as the other Arts, as a phenomenon of thought that strives to construct intuitively a form of sensitive but coherent 'system', with the awareness that the painter's work is fundamentally not planned but transformed, that most of his work is secret, unprovable...

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ENCRE Nº6

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ENCRE Nº2

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ENCRE Nº3

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ENCRE Nº4

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ENCRE Nº5

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ENCRE Nº7

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ENCRE Nº8

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ENCRE Nº10

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ENCRE Nº11

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ENCRE Nº9

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ENCRE Nº12

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ENCRE Nº13

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ENCRE Nº14

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ENCRE Nº19

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ENCRE Nº25

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ENCRE Nº1

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ENCRE Nº24

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ENCRE Nº15

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ENCRE Nº16

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ENCRE Nº17

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ENCRE Nº18

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ENCRE Nº20

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ENCRE Nº21

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ENCRE Nº22

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ENCRE Nº23

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ENCRE Nº26

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This selection of ink drawings is presented here to enable us to assess
the gap that can exist between graphic research
and pictorial realization, to measure what in these studies corresponds to the work with the work on canvas, or on the contrary, what leaves us to imagine other possibilities, other paths, perhaps a few or not.

ENCRES

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