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Discover Stella de BELLIGNY

Stella de BELLIGNY

Stella de BELLIGNY

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Painter

Rhythms - Vibrations - Shifts - Transparencies. Emerge from chaos. Stella de Belligny begins by creating a chaos that will become the raw material of her work. She gradually restores the balance she seeks, playing with order and disorder, light and dark, movement and calm. Stella brings us to a border between the figurative and the abstract. The nervous or light line, the erasures, the transparencies, create an illusion in the perception of the work which will be specific to each one. “I only stop when my work feels alive to me.” His mixed technique, mainly presented on canvas, evolves towards a work of matter centered on an environmental reflection. It goes through the search for new techniques, new lights. The path is interior, personal. But it is meant to meet the beholder. Revealed on the canvas, it is through it that energy is exchanged. Stella de Belligny feels close to chaos theorists: "The richness of the beauty of the world results from a subtle mixture of chaotic phenomena and others which are not".


Credentials
  • Born Date: Not known

  • France

Artist Collections

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BLEUBLEU
BLEU
BLEU

A relation once gave me a very special order. A relation once gave me a very special order: a painting that was only blue, with no other colour except white. - I don't like any other colour, if there is the slightest hint of red, yellow, etc., I wouldn't want it." This challenge led to a search for shades of blue, but the strength and vibrancy that this person liked in my work had to be maintained. If I hadn't been given this commission I would probably never have gone on to this voice. Today I thank him for it.If he knew what is behind my bruises...

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CHANGEMENTSCHANGEMENTS
CHANGEMENTS
CHANGEMENTS

Work with materials based on environmental considerations. Introduction of recycled plastic. Text of presentation for this approach entitled "Advance or Change "The Invisible: What we don't want to see What we no longer see What we will no longer see What we can no longer see Nature: Discreetly submissive or insubordinate Sensation of vibrations, shifts, movements, vertigo Games of transparencies and uncertainties Disused spaces Humanity: Has it broken the univocal contract that bound it to Nature? Is it escaping from its first duty? Skin / Bark Wound / Fault Breath / Breeze Beauty ? Chaos? Birth ? Destruction ? "

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CLAIR - OBSCURCLAIR - OBSCUR
CLAIR - OBSCUR
CLAIR - OBSCUR

The Artwork of "CLAIR-OBSCUR" remains intrinsic to my artistic approach. It stems from the training in painting, drawing and mixed techniques that I received from Jean Michel Charpentier, a painter and Art teacher. It seems to me essential in the revelation of an atmosphere, in the sharing of emotions.

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PAPIER DE CHINEPAPIER DE CHINE
PAPIER DE CHINE
PAPIER DE CHINE

Born from an influence and a study of the work of the French-Chinese artist Li Chevalier whom I had the pleasure to meet.

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VIBRATIONS HYPNOTIQUESVIBRATIONS HYPNOTIQUES
VIBRATIONS HYPNOTIQUES
VIBRATIONS HYPNOTIQUES

Born from an influence and a study of the work of the artist Soulages. Work on the material based on an environmental reflection. Repetitions, vibrations, reflections, transparencies.

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ENCREENCRE
ENCRE
ENCRE

The quest for new sensations through the search for new techniques and lights is constantly renewed. The work of inks and mixed techniques lends itself well to this. It also offers another support which allows me to undertake studies.


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