As if he had absorbed nature into himself, as if he had forced it to soften and mold itself to the forms of his thought, to follow him in his flights of fancy by undergoing very characteristic deformations, Igor Marceau has achieved a rare degree of that by which one painter differentiates himself from another: Style.
Among a crowd of paintings mixed one with the other, the eye recognizes at once those of Igor Marceau, as it would recognize those of Braque, Derain, Kandinsky, or even Van Gogh; because they all have a clean genius, which cannot be other and which is the style, i.e. the assertion of the personality.